classic pedals The Classic Fuzz – McGregor Pedals

classic pedals The Classic Fuzz – McGregor PedalsIntroducing the Classic Fuzz Pedal from McGregor Pedals! "We set out to design a pedal that truly captures the sound, feel, and response of the earliest two transistor fuzz pedals using all modern parts. Yes, the Classic Fuzz uses silicon transistors." Huge thanks to Michael Schau and Anthony Della Croce! "This pedal was designed with Anthony Della Croce (The Headpins). We sent the final prototype to long time collaborator Michael Schau. Without

Introducing the Classic Fuzz Pedal from McGregor Pedals!

"We set out to design a pedal that truly captures the sound, feel, and response of the earliest two-transistor fuzz pedals using all modern parts. Yes, the Classic Fuzz uses silicon transistors."

Huge thanks to Michael Schau and Anthony Della Croce!

 "This pedal was designed with Anthony Della Croce (The Headpins). We sent the final prototype to long time collaborator Michael Schau. Without trying it first, Michael started a drum track and stepped on the Classic Fuzz. These three and a half minutes are what he improvised and recorded in that moment. Later, Michael added the bass track that Anthony composed and they re-worked the drums."

Check out the review in Premier Guitar Magazine, January 2025 issue

"A thick, varied take on the silicon Fuzz Face that spans punky, sparkling, and full-spectrum heavy."

"The McGregor Classic Fuzz, however, offers ample reminders about the many ways silicon Fuzz Faces can be beastly, sensitive, and sound supreme."

"In an A/B test with a solid, archetypal-sounding BC108 Fuzz Face clone, the Classic Fuzz sounded roughly equivalent at the 60-percent mark of the bass control’s range. But the Classic Fuzz was more dimensional, and on either side of the bass control I heard many intriguing tone variations spanning garage-punk snot and corpulent, almost triangle-Big Muff thickness."

"...the Classic Fuzz rips—lending sparkling overdrive colors and banshee-scream aggression to Stratocasters and sounding especially sweet and terrifyingly mammoth with humbuckers." -Premier Guitar Magazine, January 2025

External Controls

• FUZZ: This allows you to dial in the amount of fuzz required. Since most of the action happens in the upper regions of the fuzz pot, we used a reverse log pot here so that the final 15% starts at noon.
• BASS: this allows you to dial in the amount of bottom end you want. Fully right, this pedal is thick (!). For a sound more typical of modern silicon fuzz pedals roll it back.
• Vol: This attenuates the post effect signal.
• LED Brightness (unmarked trimpot on side of pedal): As someone who plays daytime outdoor shows, I wanted a super bright LED; however, this made it horrible to use in any other situation. So, I added a trimpot to that allows you to vary the LED Brightness from dark stage to bright sun. Please make the adjustment gently using a jeweler’s screwdriver.

Internal Controls

• T2 Bias: Internal Trimpot. Bias is set at the factory at 4VDC. If you are comfortable with re-biasing, feel free to adjust to suit, there is a bias test point adjacent to the trimpot.
  
• Input: Full left this trimpot will provide the strongest fuzz; however, it will also be noisy with the volume on your guitar turned off (you might even pick up a radio station!). This trimpot leaves the bench set at ~11:00. This is to mitigate the “volume off” noise while still providing that Classic Fuzz of 1960’s two transistor fuzz pedals. Turning this trimpot full right will result in a smoother, more distortion-like tone.
  

Enclosure

• The enclosure is brushed aluminum and has an industrial look; this includes scratches, scuffs and marks.

Power Adaptor

The McGregor Pedals Crunch Transparent Overdrive may be powered by a 9VDC adaptor. It accepts a standard filtered/regulated pedal power supply with a center-pin negative 2.1mm x 5.5mm plug (like Boss, Ibanez, etc.). If an adaptor doesn’t seem to work, disconnect it immediately and check the polarity. Also, check that it outputs DC (not AC).